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如果对当代中国画创作进行一番认真的清理,我们并不难发现:绝大多数艺术家是立足于传统中国画的表现框架,进而对中国画的入画标准,意境呈现方式,艺术表现属性,包括构成、造型、设色及笔墨处理等等给予现代性的改造。与此同时,还有一部分艺术家则是立足于由徐悲鸿创立的写实中国画框架,然后进行现代性的改造,这就使得改革开放以来的中国画——如新花鸟画、新山水画、新人物画,无论是在文化内涵上,还是在艺术表
If we make a serious clean-up of the contemporary Chinese painting, we can easily find out that the vast majority of artists are based on the performance frame of traditional Chinese painting, and then give some suggestions on the standard of Chinese painting such as the standard of painting, the mode of presentation of artistic conception, the artistic expression of attributes, , Color and pen and ink processing and so on to give modern transformation. At the same time, there are still some artists based on the realistic Chinese painting frame founded by Xu Beihong and then the transformation of modernity, which makes the Chinese paintings since the reform and opening up - such as the new flower and bird paintings, the new landscape paintings and the new figure paintings, Is the cultural connotation, or in the art form