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徐震的雕塑作品《永生》第一次与观众见面是在今年1月的尤伦斯当代艺术中心。那是充满历史沧桑感的奇异作品,又带着些离奇的荒诞:天龙山石窟的菩萨和派欧尼奥斯的胜利女神像颈对颈地上下拼接在一起,一个代表着东方的肃穆与慈悲,一个象征着西方的争斗与荣誉。相契合的是,两者都是残破的,时间在古老的信仰里刻画下自己不容抵抗的痕迹。是遗憾,也是耐人寻味的美。时光、拼接、不可思议的契合,一直以“Art of Fusion”为理念的宇舶表对这件作品的青睐,似乎就这样轮廓清晰地找到了端倪。同年10月,宇舶表与徐震联合创作的公共艺术装置作品《永生——时间沙漏》在798包豪斯广场落成,以更为完整的方式呈现了两者的共识。
Xu Zhen’s sculpture Eternal Life first met with the audience at the Ullens Center for Contemporary Art in January this year. It is a bizarre piece full of historical vicissitudes of life, but also with some bizarre absurdities: the Buddha of Tianlongshan Grottoes and the goddess of victory of Opionius are spliced up and down on the neck, one representing the solemnity and mercy of the East , A symbol of the Western battle and honor. In line with both, both are broken, the time in the old faith to depict their own can not resist the traces. Is regrettable, but also intriguing beauty. Time, stitching, incredible fit, has always been to “Art of Fusion” concept of Hublot on this piece of work of the favor, it seems so clear outline to find the clue. In October of the same year, the permanent art-time hourglass, the public art installation jointly created by Hublot and Xu Zhen, was completed at Bauhaus Plaza 798 and presented the consensus in a more complete way.