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皮肤粗黑的陈国勇尽管通身穿牛仔,但仍掩不住他来自蜀地乡间的印记。正如他的画,万变不离其宗,总是云横野岭,溪流回声,一派蜀国山色,一腔天府乡情。 陈国勇灵气十足,却讷于言表。只有提笔伏案时方才处处显灵,笔墨生辉,皴擦点染一番,便造出乡情浓郁的家乡图来。 在西安美院读研究生时,国勇的画很一般,常见他不断地抽烟,不断地研究临摹。从最传统的宋元山水到明清诸大家的风格演变,他都认真地揣摩,然后奔向山野林间去与黄公望、倪云林、范宽等大师对话。他在自然中去印证古往今来大师们的鬼斧神工,感叹
Chen Guoyong black skin though wearing cowboy, but still hide his imprint from the Shu country. As his paintings, ever-changing, always Yokeling Ling, stream echo, a group of Shu mountains, a heavenly nostalgia. Chen Guoyong full of resentment, but at the table. Only mention the case of a pen just when everywhere manifest bullet, ink brilliance, rub rub some dyeing, they create a strong hometown map to nostalgia. When studying at a graduate school in Xi’an Academy of Fine Arts, Guo Yong’s painting was very common. He was constantly smoked and constantly studied copying. From the most traditional Song and Yuan dynasties to the evolution of the style of the Ming and Qing dynasties, he conscientiously tried to figure out and then headed toward the mountain forests to talk to such great masters as Huang Gongwang, Ni Yunlin and Fan Kuan. He in nature to prove ancient masters of the gods, sigh