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张岱是明清之际学术文化史上一位在史学、文学、艺术诸方面都卓有建树的杰出人物 ,特别是在文艺 -美学方面 ,其见解深刻而条贯 ,贡献尤为突出。本文从第一手资料入手 ,对张岱的艺术范畴理论做了较为系统、深入的考察 ,认为张氏是一位充分理解了艺术中各对立范畴相生相济、对立又统一的辩证关系并将之自觉应用于艺术实践过程的理论家和作家。他对诸如实在与空灵、生与熟、雅与俗等基本范畴的分析 ,都有相当深度 ,充满了辩证精神 ,有相当高的理论价值 ,是中国文艺—美学思想史不可忽视的宝贵遗产 ,对今天的文学 -艺术创作与研究仍有较高的借鉴价值。
Zhang Dai is a distinguished figure in the history of academic culture during the Ming and Qing dynasties in the history of culture, literature and art, especially in literary - aesthetics. His insight is profound and its contribution is outstanding. Starting from the first-hand information, this article makes a systematic and in-depth study of Zhang Dai’s theory of art category. He believes that Zhang is a well-known and well-understood dialectical and dialectical relationship that fully comprehends all the opposite categories in art, Theorists and writers who apply consciously to the practice of art. His analysis of such basic categories as reality and ethereality, life and maturity, elegance and vulgarity has considerable depth, full of dialectical spirit and a high theoretical value. It is a valuable legacy that can not be ignored in the history of Chinese literature and art - aesthetics. For today’s literature - art creation and research is still a high reference value.