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《高文举珍珠记》,是由明代无名作家创作的一部“包文拯公案”戏。据明代作家徐渭的说法,在明初的南戏剧目里就有一部《高文举》,在民间广为流行。现存最早的该剧目剧本是明万历年间的“弋阳腔”剧本,后来在明清时广为流行,由各地方剧种改编演出,剧名多变,有的叫《珍珠米糷记》《珍珠记》《珍珠米记》《米记》《米糷敲窗》《合珠记》等等,盛演不衰,直至当代。1958年上海电影制片厂还曾将其搬上银幕,拍摄了经改编的赣剧《高文举珍珠记》。
“Gao Wenzhu pearl”, by the Ming Dynasty anonymous writer created a “Bao Wen Zheng Gong Xi ” opera. According to Xu Wei, a writer in the Ming Dynasty, there was a “Gao Wenju” in the South Opera repertory of the early Ming Dynasty, which was widely prevalent among the people. The earliest surviving repertoire of the repertoire was the Yiyangqiang script in the Ming Dynasty and was later popular in the Ming and Qing dynasties. It was adapted by local operas with a variety of titles. Some of them were called “Pearl Rice Notes” and “Pearl Notes ”“ Pearl Rice Kee ”“ rice Kee ”“ Mi Shu knock on the window ”“ Hop Zhu Kee ”and so on, unfathomable, until the present. In 1958, Shanghai Film Studio also put it onto the screen and filmed the adaptation of the Jiangxi drama “Gao Wen Peizhi”.