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毛线球滚过地板,静谧的空间,很难感知关于空间的尺度、材料、质感。空间是抽象的,这是一个纯粹的梦的构建。科塔萨尔(Julio Cortázar)的小说《被占的宅子》(Casa Tomada)描述了梦里的两兄妹,在一个宅子里,一个只有声响发出的空间,无法确定他们曾经发生过什么,所有声音都是情节的隐喻。宅子是声音和时间的容器。对于建筑师而言,这样一个纯粹的空间是设计的追求,空间赋予了空间容器中的多样性和未知的诱惑。德国艺术家斯威特斯(Kurt Schwitters)穷尽一生创作Merzbau则是另外一种状态,他采用拼贴的方式将收集到各种承载了社会生活信息的材料搭建成各种装置,充斥在中性的建筑空间。不同于科塔萨尔宁静的空间,科塔萨尔的空间空空了了,却充满了“空了”和未知的可能,“空了”背后的声音有如斯威特斯的纷纷杂杂的各种材料。宅子被占满。小说家科塔萨尔描述的是声音和声音背后的故事,达达艺术家斯威特斯使用的却是日常生活的信息化碎片和这座城市的快速消费品。科塔萨尔是拉美文学爆炸最重要的人物,斯威特斯则是装置艺术的重要实践者。
Yarn ball rolling over the floor, quiet space, it is difficult to perceive the scale of space, materials, texture. Space is abstract, this is a pure dream building. Casa Tomada, a novel by Julio Cortázar, describes two sons and daughters in a dream. In a house, there is a space where only the sound comes out, unable to determine what has happened to them, and all the sounds All are metaphors for the plot. House is the voice and time container. For architects, such a pure space is the pursuit of design, space gives the diversity of space containers and the temptation of unknown. Kurt Schwitters, the German artist who spent his life creating Merzbau, is another state where he uses collages to create a collection of devices that gather information about social life, construction space. Unlike Cortazar’s quiet space, Cortar Saar’s space is empty, but filled with “empty” and unknown possible, “empty” behind the voice of the Swatow like Miscellaneous materials. House is occupied. Cotathar, the novelist, describes the story behind sound and voice, and Dart, artist Swartz, uses informational pieces of everyday life and the city’s fast moving consumer goods. Cotar Sal was the most important figure in the Latin American literary explosion, and Swetz was an important practitioner of installation art.