论文部分内容阅读
中国玉文化,经过了数千年的发展,到辽金时期又进入了新的发展阶段。此时期的艺术风格带有淳朴浓郁的北国情调和鲜明的民族特色。题材多以中国传统纹饰和自然写实为主,并注重观察生活,捕捉生活中美的情趣,刻划生活中美的动态。众多的玉雕艺术品,没有过多的矫揉造作,而给人一种清新舒畅,自然恬静,韵味无穷的感觉,充分体现了含蓄美。契丹族劳动、生息、繁衍于我国西喇木伦河上游地区,是一支古老的,以狩猎放牧为主要经济活动的民族。辽与北宋、西夏、西域等诸国商贸关系十分密切,随着榷场的交易与战争的掠夺,除了本民族的玉工外,还有一部分汉族玉工也参加了具有契丹民族特色的玉器碾琢。虽然,他
Chinese jade culture, after thousands of years of development, has entered a new stage of development during the Liao and Jin Dynasties. This period of art style with a simple rich northern flavor and distinctive national characteristics. The themes are mostly traditional Chinese ornaments and natural realism, and focus on observing life, capturing the beauty of life in the United States and scoring the dynamic of life in the United States and China. Many jade carvings, without too much artificial, but gives a fresh and comfortable, natural and tranquil, endless charm, fully embodies the subtle beauty. The Khitan people work, live and multiply in the upper reaches of the Muluhe River in the west of China. They are an ancient ethnic group with hunting and grazing as their main economic activities. Liao and the Northern Song Dynasty, Western Xia, Western Regions and other countries have very close business relations with the trade, with the evasion of the transaction and the plundering of the war, in addition to the national jade, but also part of the Han Jade workers also participated in the Qidan ethnic jade grind Zhuo. Although, he