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本文是继提出敬畏生命——后浪漫主义生态美学的生态存在观之后,对新美学的批评原则做出的初步阐释。通过从敬畏的体悟和诗意的承担两个方面,从以舒缓、若水和自省原则体现出来的人类内省转向意识,升华到以正义、责任为承担原则的人类自我约束和实践层面,探索摆脱技术座架解蔽困境的此在方式,构建生态环境与艺术美融合的“宜居乐美”境界;同时,也为生态美学的研究向前推进一步。
This essay is a tentative explanation of the critique principle of the New Aesthetics after presenting the concept of ecological existence which reverences life after the romantic ecological aesthetics. Through ameliorating consciousness and poetic commitment, from the introspection of human introspection reflected in the principle of soothing, flowing water and self-examination to the self-restraint and practice of human beings taking the principle of justice and responsibility as principles, The solution of this problem lies in the way of constructing the shelves and building the “livable and beautiful” realm in which the ecological environment and the artistic beauty are integrated. At the same time, the study of ecological aesthetics is one step forward.