烽火中的中国抗战文化高地

• 作 者: 徐光煦
• 机 构: 中共重庆市委党史研究室,
• 出 处: 红岩春秋
• 发表日期: 2015年06期
• 关键词: 文化高地 中国抗战 战时首都 对外文化交流 文化团体 第三厅 文化运动 文化主流 国共合作 文化工作委员会

国民政府迁都重庆,战时首都重庆成为各类文化团体和知识精英的云集之地。在国共合作的政治大背景下,重庆文化界以人民大众喜闻乐见的戏剧、歌咏、漫画等为主要文化活动形式,在抗战大后方掀起了一场规模空前、影响深远的进步文化运动,广泛开展对外文化交流,使以“抗战、团结、民主”为旗帜的抗战进步文化成为了大后方文化主流,掀起进步文化运动浪潮,推动大后方文学、艺术、历史、哲学等社会科学和自然科学的全面繁荣,重庆成为中国抗战文化高地。

The relocation of the KMT government in Chongqing, the wartime capital of Chongqing, became a gathering place for various cultural groups and intellectual elites. Under the background of the political cooperation between the Kuomintang and the Communist Party of China, Chongqing’s cultural circles took the form of drama, singing and comics as the main forms of cultural activities loved by the masses, setting off an unprecedented and far-reaching progressive cultural movement behind the war of resistance against the Japanese. Cultural exchanges made the anti-Japanese progressive culture under the banner “Resistance, Unity and Democracy ” a major cultural mainstream in the rear area, setting off a wave of progress in cultural movement and promoting social and natural sciences such as literature, art, history and philosophy in the rear area Fully prosperous, Chongqing became China’s anti-Japanese war culture.