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纪录电影比艺术电影诞生的要早一些,当卢米埃尔兄弟在最初的几公尺胶片上拍下有一个可笑的烟囱、喷着一缕缕蒸汽的小轮船,让它奔驰在银幕上的时候,纪录电影就诞生了。它完成了只有通过神话的手段才能完成的东西。这样,人仿佛获得了第二次的存在,可以在现在看到充分运动着的过去。但是电影发展史却与那些旧的继承法不同,它不承认长子的权利和特权。艺术电影几乎占据了所有的银幕,只让纪录电影来起年幼的对手的作用。我们已经完全习惯于在每一场电影开演前点缀一两本杂志片、纪录片集锦和特写片;我们
Documentary films were born earlier than art films, and when the Lumière Brothers photographed the first few meters of film with a funny chimney, steaming a small steamer and letting it run on the screen The record movie was born. It accomplishes something that can only be done by means of mythology. In this way, people seem to have acquired the second existence, you can now see the full exercise of the past. But the history of the film, unlike those of the old law of succession, does not recognize the eldest son’s rights and privileges. Art films take up almost all of the screen, leaving only recorded movies to act as young adversaries. We have become so accustomed to embellishing one or two magazines, documentary highlights and feature films before each film’s opening; we