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我作为黄梅戏的一个忠实观众和爱好者,和大家一样,对黄梅戏的现状和前途是关心的。前不久,在一个座谈会上,一位同志半开玩笑地说:未来的国剧很可能被黄梅戏取而代之。这一预言能否被历史的实践所证明,姑且不论,但有一点我敢说,黄梅戏是一个很有前途的剧种。她在广大群众、尤其是青年中,有巨大影响和魅力。不少青年群众把黄梅戏称之为戏曲中的“轻音乐”。她优美抒情的旋律,通俗易懂的唱腔,令观众陶醉。 我认为,一个剧种的生存和发展,从根本上说,取决于两种选择:是社会的选择,即戏曲与观众的关系,也就是观众是否买你的帐。二是自
As a loyal audience and lover of the Huangmei opera, I, like all of you, are concerned about the current situation and future of the Huangmei opera. Not long ago, at a symposium, a comrade said half jokingly that the upcoming national drama is likely to be replaced by the Huangmei opera. Whether this prophecy can be proved by the historical practice, let alone, but one thing I would say, Huangmei opera is a very promising drama. She has great influence and charisma among the broad masses of the people, especially young people. Many young people call the Huangmei opera “light music” in the drama. Her beautiful lyric melody, easy-to-understand aria, the audience intoxicated. In my opinion, the survival and development of a drama basically depends on two choices: it is the social choice, that is, the relationship between the opera and the audience, that is, whether or not the audience buys your account. Second, since