论文部分内容阅读
中国画在发展中争论不断,诸如中国画笔墨的论争,几乎走过了一个世纪的路程。不同的立场产生了不同的观念和思潮,同时也就相应地产生了异彩纷呈的创作成果,这就是艺术发展的道理所在。在世界大谈“地球村”的时代,无论是提倡打破传统束缚的中西融合论,还是力主坚守民族绘画传统特色的因守论,都必须面对这样的一个现实:“笔墨当随时代”。中青年画家的创作似乎更强烈地反映了这一现实。他们能够从时代审美要求出发,深入生活,努力吸取传统中国画的精华,并
Chinese painting in the development of debate, such as the controversy of Chinese painting and calligraphy, almost gone a century’s journey. Different positions lead to different ideas and trends of thought, and correspondingly, colorful creative creations are produced. This is the truth of art development. In the era when the world talked about “the global village”, whether it is advocating the integration of Chinese and Western theory to break the traditional bondage or defending the traditional characteristics of national painting, we must all face the fact that “ink and brush should follow the times.” The creation of young and middle-aged painters seems to reflect this reality more strongly. They can start from the aesthetic requirements of the times, go deep into life, work hard to learn the essence of traditional Chinese painting, and