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艺术思潮在中国工笔人物绘画领域的渗透下,自90年代开始,绘画形式过度趋向于商业化,绘画理念随着社会节奏的加快逐渐失去传统的内涵,绘画风格随着各流派与绘画机构的增多而出现了鱼龙混杂的“多样化”局面。面对新思潮的侵入,高校艺术类学生应采取的措施,在继承中发展,在汲取中创新,中国工笔人物画要讲究画面的现代意识,运用古为今用,洋为中用基础上与当代背景结合,使学生更深层次的了解传统文化内涵,提升学生的精神境界。
Under the infiltration of Chinese figure painting in the field of art, the trend of painting tends to be commercialized from the 90’s. The concept of painting gradually loses its traditional connotation with the acceleration of social rhythm. As the genre of painting increases with the schools of painting and painting There was a mixed bag of “diversification” situation. In the face of the invasion of new trend of thought, art students in colleges and universities should take measures to develop in inheritance and innovation in taking lessons. Chinese style figure painting should pay attention to the modern consciousness of the picture, and use ancient and modern, foreign and medium use to combine with contemporary background So that students can understand the traditional cultural connotations in a deeper level and enhance their spiritual realm.