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我有幸接受邀请,为哈尔滨儿童艺术剧院排练了一出无场次儿童剧《少年周恩来》。文学剧本犹如碎玉散金一般,是由众多互无因果关连的小事件组接起来的事件链条。连缀它们的既不是贯串始终的完整的故事情节,也没有一个明显引领全剧的思想立意,唯一的关连因素是年龄的序列。可以说,这是一个结构松散、情节淡化的传记体作品,用散点式的方法平列地展现了周恩来从幼年到少年的各种境遇与经历。它给导演的舞台体现留下了极为宽阔的创作天地,也造成了毫无定向、无所适从的困难。
I had the honor to accept the invitation for the Harbin Children’s Art Theater rehearsal of a no-show children’s drama “Juvenile Zhou Enlai.” Literary script is like a jade scattered gold general, is a chain of events connected by a large number of small incidents related to each other without causal link. There is neither a complete storyline that runs through them, nor an ideology that clearly leads the whole play. The only relevant factor is the sequence of ages. It can be said that this is a loosely structured and diluted plot of biographies, with scattered points of the way to demonstrate Zhou Enlai from childhood to juvenile various situations and experiences. It gives the director’s stage performance has left a very broad creative world, but also created a no orientation, confusion difficulties.