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中央电视台播放的电视小说《破命》与以往的电视剧有所不同,使人耳目一新,我想最为突出的是声音造型给人留下的深刻印象。有声电影的进步是在声音能从那种写真的附属地位解放出来之后。爱森斯坦、普多夫金、亚历山大洛夫《关于有声电影的宣言》主张“把声音当作脱离了视觉影象的独立的因素”来使用。影视艺术既然是视听艺术,那么视与听当占有同等重要的位置。《破命》一剧在声音的运用上体现了一种大胆的创造精神,可以看出导演把声音作为一种完全独立的元素,运用于电视
CCTV broadcast TV novel “broken” different from the previous TV series, refreshing, I think the most prominent is the sound modeling left a deep impression. The progress of a sound movie is made after the voice can be freed from the subordinate status of that pictorial. Eisenstein, Pforzkin and Alexander Loev’s Declaration on Audio Films advocated “using sound as an independent factor from visual images.” Since the art of film and television arts as audio-visual, then as the audio-visual possession of equally important position. “Broke” a play in the use of sound reflects a bold creative spirit, we can see the director of the sound as a completely independent element, used in television