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动画是典型的精神类消费产品,其优劣成败主要取决于制作方的创意和制作表现能力。即便中国如今已经成为全球最大动画消费市场,但对普通观众而言,国产动画依然几近于是粗制滥造、无趣无聊的代名词。近十年来,尽管有各种扶持,中国动画依然呈现出有量无质、前路不明的势态。作为主要当事方,中国的动画企业与高校动画教育理所当然的成为了众矢之的。而在这对患难搭档中,人才的接收方——动画企业对动
Animation is a typical psychic consumer product, its success or failure depends mainly on the creative side of the producer and production performance. Even though China is now the largest consumer of animation in the world, domestic animation is still near-synonymous with vulgarity and boringness for the average viewer. In the past ten years, despite all kinds of support, Chinese animation still shows a massless and unidentified trend. As the main parties, China’s animation companies and college animation education have naturally become the targets of public criticism. In this affliction partner, the recipient of talent - animation business move