海顿《f小调行板与变奏曲》的演奏及音响版本对比分析

• 作 者: 王佳音
• 机 构: 大连枫叶职业技术学院,
• 出 处: 山西青年
• 发表日期: 2016年05期
• 关键词: 海顿 变奏曲式 演奏技巧 音响版本比较

弗朗茨·约瑟夫·海顿,是维也典乐派的奠基人,被誉为“交响乐之父”、“四重奏之父”。他的作品,充满着健康、明快、幽默、轻松的气氛,旋律质朴,在气质上保持着与民间音乐的联系。同时,他的作品和声织体清晰,作品结构匀称讲究,逻辑严密并与富于变化的情绪有机的结合。《f小调行板与变奏曲》作于1793年,全曲抒情细腻,带有忧伤的诗意,显露出浪漫主义的情调,感情上附有巧妙的变化。本篇论文将从海顿《f小调行板与变奏曲》的创作风格、节奏、速度与力度、音色、踏板以及不同演奏家录制的音响等方面进行研究和分析,力图通过这篇论文的研究,可以对海顿变奏曲的演奏有一个更深的认识与提升。

Franz Joseph Haydn, the founder of the Viennese music school, is known as the “father of symphonies” and “the father of quartets”. His work, full of healthy, bright, humorous, relaxed atmosphere, melodic simplicity, temperament and maintain the relationship with folk music. At the same time, his work and sound texture are clear, the structure of work is well-proportioned, logical and organically integrated with the emotion of change. In 1793, “The f Minor Rhythm and Variations” is a lyrical piece with a poetic expression of sadness, revealing a romantic mood with subtle changes in his emotions. This essay will study and analyze the style, rhythm, speed and intensity of Haydn’s “f Minor Stereo and Variations”, sound, pedal and sound recordings by different performers. It is hoped that through the research of this dissertation, Have a deeper understanding and promotion of Haydn’s variations.