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中国画是在中华文明的陶育中形成的举世无双的绘画艺术门类,是中华艺术的经典样式与中华文化的集中表率。文人画又是国画中最高层次、最广影响、最深探索的门类追求,因此,在国画发展的进程中对文人画的关注是必然的。上个世纪民国初对文人画的猛烈批判与上个世纪末开放改革对新文人画的倡导皆源于此。
Chinese painting is an unrivaled category of painting and art that emerged in the Tao Yu of Chinese civilization. It is the epitome of the classic style of Chinese art and the concentration of Chinese culture. Literati painting is also the pursuit of the highest level, widest influence and deepest exploration in Chinese painting. Therefore, it is inevitable to pay attention to literati painting in the process of the development of traditional Chinese painting. The violent criticism of the literati painting in the early Republic of China in the last century and the advocacy of the new literati painting by the reform and opening up at the end of the last century all came from this.