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陶艺创作要想创新,除了器形和题材具有新意外,探求新的生产工艺也是一个重要方面。我在牡丹大碗上将花朵不用乌金釉做底釉,而改用多种釉料画在素瓷面上,绿叶用乌金釉局部作为底色。结果烧出来的花釉色丰富透明,在厚重的绿叶衬托下很好地表现了主题。过去表现叶脉一般采取划线的办法,破坏了釉面的光洁完整,我试着用青花钴料勾叶筋,也取得较好的艺术效果。
In order to make innovations in pottery creation, in addition to the novelty of shape and theme, it is also an important aspect to explore new production techniques. I do not spend the flowers in the Peony Bowl Ugin enamel to do the end of glaze, instead of using a variety of glaze painting on the porcelain surface, green leaves with black gold local as a background. As a result, the flower glaze color is rich and transparent, displaying the theme well under thick green leaves. In the past performance veins generally take a crossed approach, undermining the glaze smooth and complete, I tried to use blue and white cobalt hook tendons, but also achieved better artistic results.