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对于诗的意境的借鉴以及诗与画之间的彼此渗透,表现了中国画对于写实传统的主动超越。诗意的追求,是中国画发展到一定阶段时的一种主动的取向,这种倾向从宋代开始表现得突出起来,并给后世中国画的发展带来深刻的影响。诗与画的融合在形式上以题诗于画面为标志。对于绘画来说,这既是对再现的局限性的变通,也是在内涵拓展上作出的主动探索。这种探
The reference to the artistic conception of poetry and the mutual infiltration between poetry and painting show the Chinese surrealism of the realistic tradition. The poetic pursuit is a kind of active orientation when Chinese painting develops to a certain stage. This tendency has manifested prominently from the Song Dynasty and brought a profound impact on the development of later Chinese paintings. The integration of poetry and painting is formally marked by the inscription on the screen. For painting, this is not only a modification of the limitations of reproduction, but also an active exploration on the extension of connotation. This exploration