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静物画是西方绘画中的重要题材,以相对静止的物体为表现对象,本文所论述的是西方油画。中国传统水墨画中也具有一些“静物”图像的存在,并且在当代中西方多元化的艺术语境下表现的更为普遍。本文分析了静物画与中国传统水墨画两者的区别。同时,对当代水墨画中“静物”图像表现的普片性成因进行探究,并且选择了以杜大恺、刘进安为代表的以表现“静物”图像的当代水墨画家进行风格分析。当代水墨画中的“静物”图像是中国画创新的新形式,丰富和发展了水墨画艺术的表现语言与表现形式。
Still life painting is an important theme in western painting, with relatively static object as the object of performance. This article discusses the Western painting. Chinese traditional ink paintings also have some “still life” images, and they are more prevalent in contemporary Chinese and Western diversified artistic contexts. This article analyzes the difference between still life painting and traditional Chinese ink painting. At the same time, this paper probes into the general causes of the image expression of “still life” in contemporary ink painting and chooses the style analysis of contemporary ink painters represented by Du Dakai and Liu Jin’an to represent “still life ” images. The “Still Life” image in contemporary ink painting is a new form of Chinese painting innovation, which enriches and develops the performance language and expression of ink painting art.