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随着汤显祖与莎士比亚纪念活动如火如茶的开展,莎翁的戏剧也随之成了各种改编的热门对象。如何实现题材的本土化,成了改编过程中的重要课题。将一个洋味十足的故事纳入到传统戏曲的表演体系中,还要做到圆融贯通,本身就是不容易的事。在这个层面上,《惊魂记》可以说为类似外国题材的作品改编提供了样式范本。首先,在剧情上,《惊魂记》没有对原著进行亦步亦趋的照搬,而是选择大刀阔斧的整改,使故事更贴合中国背景。原著中可怖的女巫变成了戏曲行当里插科打诨的丑
With Tang Xianzu and Shakespeare commemoration activities such as fire, Shakespeare’s drama has become a popular adaptation of various objects. How to realize the localization of the theme has become an important issue in the process of adaptation. It is not always easy to incorporate an anecdotal story into the performance system of a traditional opera and to achieve harmony. At this level, “The Soul of the Heart” can be said to provide a style template for adaptation of works of similar foreign subjects. First of all, in the story, “The Shame” does not copy the trend of the original step by step, but rather drastic rectification to make the story more in line with the Chinese context. The horrible witches in the original became ugly gags in the drama industry