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翻开任何一部中国美术史,很少能见到古代女书画家的名子．偶有出现．往往也 是因为父兄丈夫的裙带恩泽．而得以在浩瀚的典籍中留下三言两语的记载。这种现象 的背后有着极其深厚的历史文化根源．直至辛亥革命以后,新思潮兴起,女权运动日 盛．才涌现出大批的女书画家。她们的艺术风格及成就,浸入了女性特有的魅力,逐渐被 世人所重视。如20世纪二三十年代．以江浙地区为中心,由李秋君、周炼霞、陆小曼、吴青 霞等人发起．在上海成立的”中国女子书画会”．是中国历史上第一个女性艺术家团体,
Open any part of the history of Chinese art, rarely see the ancient woman calligrapher’s name. Occasionally appear. Often also because of the nun of the husband and the brother’s husband. And be able to leave a few words in the vast collection of records. Behind this phenomenon has an extremely profound historical and cultural roots. Until the Revolution of 1911, a new trend of thoughts emerged and the women’s rights movement flourished. Only a large number of female calligraphers emerged. Their artistic style and achievements, immersed in the unique charm of women, gradually by the world attention. As the twenties and thirties of twentieth Century. To Jiangsu and Zhejiang as the center, by Li Qiujun, Zhou Lianxia, Lu Xiaomin, Wu Qingxia and others. The “Chinese Women’s Painting and Calligraphy Association” established in Shanghai. Is the first female artist group in Chinese history,