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2006年底浙江小百花越剧团的沪上巡演,至少为上海戏剧界提供了四个方面的话题。其一,是对剧目的总体评价。“小百花”此次来沪演出的《梁山伯与祝英台》、《春琴传》、《藏书之家》三台戏,均属历史题材,一个是传统的,一个是国外的,一个是新编的。从这三台戏的不同运作模式看,“小百花”分别表达了她们的思考——对这样的题材,我们是这样来演的:对于那样的题材,我们是那样来演的。《梁山伯与祝英台》作为一个家喻户晓的剧目,它生死之情的爱情主题指向是在原剧中就被确定了的。这次演出,保留并光大了原有的“梁祝精神”。根据日本小说改编的《春琴传》,挖掘了人性中幽暗的情感世界,演
At the end of 2006, Zhejiang Xiaobaihua Yue Opera Troupe made a tour in Shanghai and provided at least four major topics for the Shanghai theater industry. One is the overall evaluation of the play. “Little Flowers” The performances of “Liang Shanbo and Zhu Yingtai”, “Chunqin Biography” and “Collection House” in Shanghai this year are all historical themes. One is traditional, one is foreign, and one is New Judging from the different modes of operation of the three operas, “Little Flowers” express their thinking separately - for such themes, we are acting like this: For such themes, we are acting like that. “Liang Shanbo and Zhu Yingtai” as a household name drama, its life and death love theme point was established in the original play. The performance, to retain and expand the original “Butterfly Spirit.” According to the adaptation of the Japanese novel “Spring Music Biography”, digging the dark world of human emotion, acting