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《上海戏剧》1986年五期发表王长安的《关于观众“参与”问题断想》。文章中说,有些戏采用了把观众请上舞台就坐的办法。然而,观众与演员作为两个团块缺乏交叉渗透。有的戏让演员从观众池中上场,其目的只是为了活跃舞台调度,所以还谈不上“参与”问题。有的戏演出中预先埋伏一演员于观众席中,届时以观众的身份上场。由于剧情又只能按预先的安排而发展,所以观众很难“参与”。有些突破镜框式舞台调度的演出中,常可见到让演员走下舞台,进入观众席的情况。如上海师大学生演出的《魔方》,一位
“Shanghai Drama” published in 1986 five Wang Changan’s “about the audience” to participate in the “speculation.” The article said that some of the scenes used to put the audience on the stage to sit on the way. However, there is a lack of cross-penetration between the audience and the actor as two clumps. There are games for actors to play in the audience pool, the purpose is only for the active stage scheduling, so there is no question of “participation”. In some performances, an actor is ambushed in the audience in advance, and the audience will be present. Because the plot can only be developed in advance arrangement, the audience is difficult to “participate.” Some break through the stage performance of the mirror stage, you can often see the actors off the stage, into the auditorium. Such as Shanghai Normal University students perform “Rubik’s Cube”, one