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绘画的文学倾向与哲理思考是中国画的显著特色和优良传统如果从孔子算起,中国“土文化”传统至少已延续了两干五百余年。宋代苏东坡的“仕人面”、历代“文人画”到80年代兴起的“新文人画”,都体现出在文人加盟画坛过程中,逐渐使中国画由早期的重形轻神向后来的略形写意嬗变的努力。著名艺术史论家、书画家王振德教授在90年代潜心研究和创作的“学人画”,应视做这种努力的
Literary tendency and philosophical thinking of painting are the distinctive features and fine traditions of Chinese painting. If from Confucius, the tradition of “indigenous culture” in China has lasted for at least two centuries and more than 500 years. Su Dongpo’s “official face”, “literati painting” in the Song Dynasty, and “new literati painting” rising in the 1980s all show that in the course of the literati’s joining the painting circle, the Chinese painting gradually shifted from the earlier light and light god to the later Freehand transmutation efforts. Professor Wang Zhende, a famous art historian and calligrapher, painstakingly studied and created “scholar painting” in the 1990s, and should regard it as such endeavor