论文部分内容阅读
記得在一次小型座談会上,大家热烈地討論着一个有思想倾向错误的剧本。曾經扮演过这个戏中女主人公的一位演員恍然大悟地說:“怪不得排演的时候,有一个地方,我的情緒就是轉不过来,后来导演启发了我很久,才勉强把戏排下去,現在才知道这个人物形象本身就有問題。”时間已經过去一年,座谈会上别的发言已經記不大清楚了,但是这位演員的話,却一直到今天还深深地留在我的記忆里。怎样认識演員在戏剧中的作用,似乎是不成为什么問題的,但是,有时却也有着一些糊塗观念,这位演員的“恍然大悟”就是一个突出的例子。最近读到苏联人民演員拉·亚历山德罗夫斯卡雅同志的《这里也有我們的过錯》
I remember at a small forum, we were all enthusiastically discussing an ideologically inclined script. An actress who once played the heroine in this play suddenly said: “No wonder rehearsal time, there is a place, my mood is turn around, and later inspired the director inspired me for a long time, barely row down the game, and now I know This character has its own problems. ”The time has passed the past year, and other speeches at the forum have not been clearly understood, but the actor has remained deeply in my memory . How to recognize the role of the actor in the drama may not seem to be a problem, but sometimes there are some confused ideas. The actor’s “sudden realization” is a prominent example. Recently I read Comrade La Alexandrovskaya, Soviet People’s Perfume, that “there is also our fault here.”