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观众学,是一门正在建立的学科,在我们关注观众问题和撰写《中国戏曲观众学》的时候,缺乏现成的参阅资料。是什么让我们产生了研究戏曲观众的念头呢?这要从20世纪80年代初说起。当时的戏曲经过文革后的短暂红
Audience learning is a subject that is being established. As we focus on audience issues and write “Chinese Opera Audience”, there is a lack of readily available information. What brought us the idea of studying opera audiences? It must be mentioned from the early 1980s. The drama at that time passed the brief red after the Cultural Revolution