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贝利尼是十九世纪“美声第二黄金时期”的三大代表作曲家之一,在其短暂的33年生命里,共创作了10部歌剧,其中《诺尔玛》、《清教徒》、《梦游女》至今仍广为流传。在贝利尼的歌剧作品中,体现出他创作风格的特点有很多,“宣叙调+卡瓦蒂娜+卡巴莱塔”创作模式便是其中之一。本文以他的代表歌剧《梦游女》为例,从宣叙调、卡瓦蒂娜、卡巴莱塔三个方面单独入手,分析了贝利尼歌剧中这种创作模式的主要特点及重要意义。
Bellini was one of the three representative composers of the second golden age of the United States in the XIX century. In his short 33 years of life, he created a total of 10 operas, of which “Norma”, “Puritan” , “Sleepwalking girl” is still widely circulated. Among Bellini’s operas, there are many characteristics of his style of creation. One of them is the “recitative + + + + + + + + + + + + + + + + Taking his representative opera ”Sleepwomen" as an example, this paper analyzes the main features and significance of this mode of creation in the Bellini opera from the perspectives of recitative, Cavartina and Caballelet.