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艺术作品看起来像什么不重要,关键看它是如何被使用的。——弗兰兹·韦斯特弗兰兹·韦斯特(Franz West)是奥地利人,出生于1947年,目前在维也纳生活和工作。他的艺术生涯开始于1960年代中期,当时他在当地被称为“行为主义”的运动中表现活跃,早期作品以雕塑、行为艺术、抽象拼贴绘画为主,通过展示一些考验公众行为举止和身体忍耐力的陈列品,表达人们在艺术世界中的被动性。1970年代早期,韦斯特开始制作一些小型的轻便雕塑,被称为“自适应”(Adaptives)作品。他把一些包装纸.纸板.缠着纱布的金属丝等材料涂上白色,样子笨拙
It does not matter what the artwork looks like, but the key is how it is used. - Franz West Austrian, born in 1947 and currently living and working in Vienna. His artistic career began in the mid-1960s when he was active in the local movement known as “Behaviorism ”, with early works focusing on sculptures, performance art, and abstract collage drawings, by demonstrating some tests of public behavior Manners of performance and physical endurance, expressing people’s passivity in the art world. In the early 1970s, West started making small, lightweight sculptures called “Adaptives.” He painted white, clumsy-looking materials such as wrapping paper, cardboard, gauze, etc.