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夏敬观的词学创作论,主要体现在创作主体论与创作方法论两大领域。在创作主体之论中,其内涵主要有三:一是标举真率,推扬性情;二是关注书卷,秉持襟抱;三是宗尚“学人而兼词人”的艺术境界。在创作方法之论中,其主张主要有四:一是“读词在先,起句在后”;二是“理路既清,择途选韵”;三是“词忌意晦语琢多典故”;四是“一词作成,修改指摘”。夏敬观的词学创作论,在承衍前人基础上体现出富于融通的特点与追求创新的精神,为我国传统词学理论批评注入了新的生机和活力。
Xia Jinguan’s theory of Ci-poetry creation is mainly reflected in the two main areas of creative subject theory and creative methodology. In the theory of the subject of creation, there are mainly three connotations: one is the authenticity of the book, the other is the promotion of the disposition; the other is the scroll of books; the third is the artistic realm of “scholars and the poet”. In the theory of the method of creation, there are mainly four main ideas: one is “the first thing to read, the second to be”; the second is “ Italian subtle language cut more than the allusions ”; four is “ made of the word, modify refers to ”. XIA Jing-kuan’s theory of Ci-poetry creation embodies the characteristics of integration and pursuit of innovation on the basis of predecessors, injecting new vigor and vitality into the traditional Chinese criticism of Ci theory.