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一个为音乐教育工作“当差”、自己又不在音乐殿堂供奉的“槛外人”,竟在一次全省高中音乐欣赏优质课评比座谈会上对如何欣赏音乐作品这个大学问斗胆发了一通怪论,此人便是笔者。发过怪论如果便偃旗息鼓,从此藏拙不语也就罢了,却又要像鲁迅说的“走下舞台,进入街市,还再耍大刀”,不是太不识趣了吗?非也。近日读《文艺报》,有一段摘载大学者季羡林先生的文章《我的学术总结》,其中几句话颇使我振奋:“我觉得,一个真正的某一学问的专家,对他这一门学问钻得太深,钻得太透……想问题反而缩手缩脚,临深履薄,战战兢兢,……一个外行人,或者半外行人,宛如初生牛犊不怕虎,他往往看到真正专
One for the music education work “when poor”, they are not in the music hall worship “outsider”, actually in a province of high school music appreciation quality class evaluation forum on how to enjoy the music works of this university to ask a courageous debate, This person is the author. If we put off the weird theory, we will stop it from hiding and hiding it in a hurry. However, we must do something like Lu Xun’s saying, “Going out of the market and entering the market again and again,” is not too insidious? Recently read the “literary newspaper”, there is a section of university student Ji Xianlin pick the article “my academic summary”, a few words quite inspired me: "I think, a real expert of a certain knowledge of him Too hard to get drilled, too drilled ... think the problem contradictory, deep, trembling, ... ... a layman, or a layman, like a young bull is not afraid of the tiger, he often saw the real