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春于自然四季,从来是一个沧桑轮回的开启。而在画家的眼里愈加感到它竟是一次次对生命艰难迟涩复苏的谶语……“春日迟迟,卉木萋萋。仓庚喈喈,采蘩祁祁”。这出自《诗经·小雅·出车》的写春之句已很古老了,但体会其意,品味其韵,感思其境,真让人觉得春从来不光是草绿花新,也不光是莺燕啼鸣,甚至更不尽是一派无限的生机,而给人更多的是一种困惑,是种不安躁动中那一份莫名的眷怀与遐思!“幼年绿,少岁红,旧时境,又是春之梦”。正是这从古至今的令
Spring in the natural seasons, has always been a turning point in the vicissitudes of life. However, in the eyes of the painter, he felt it was actually a time-honored quest for the recovery of life as soon as possible ... “Spring was late, and Huamu was born. This is from the ”Book of Songs Xiaoya out of the car,“ the writing of the Spring Festival is very old, but appreciate its meaning, taste its rhyme, feel the real situation, people feel that spring is never just a green grass, not just a warbler Yanti Ming, even more endless faction is boundless vitality, and gives more is a kind of confusion, restless restlessness in that inexplicable compassion and reverie! ”Young green, young red, old Habitat, but also a dream of spring. " It is this order from ancient times to today