论文部分内容阅读
现代水墨是中国画坛谈论较多,见诸于传媒较频的艺术现象,对它的闸释仁者见仁,智者见智,可渭眼花缭乱、目不暇接。进入20世纪90年代,批评家们对中国现代水墨的关注,显示出他们在有意无意地引导和指点中国现代水墨发展趋向的历史责任感所提出的“新笔墨”、“观念水墨”、“抽象水墨”、“实验水墨”等,即是当下现代水墨流向的不同现象表述。他们各自从不同角度,试图为现代水墨预设一种现代“标准”,建卡勾一种新“规范”,其初衷毋庸置疑。虽然这些观点的提出和阐释,不乏为一种理论上的认知和学术范围内的各抒己见,但它实际上是在力图通过尽可能
Modern Chinese ink painting is a talk of more about the traditional Chinese painting circles and the art phenomenon seen in the media. The modern ink painting is a witness to the benevolence of its benefactors. Since the 1990s, critics have paid close attention to the modern Chinese ink and wash painting, showing their “new brushstrokes”, “conceptual ink” and “abstract ink and wash” proposed by them in their historical responsibility to guide and direct the development trend of modern Chinese ink and paper intentionally or unconsciously. “,” Experimental ink “and so on, that is, the contemporary phenomenon of different flows of ink expression. From different perspectives, each of them tried to set a modern ”standard“ for modern ink and wash ink, and set a new ”standard" on it. Its original purpose is undoubted. Although the introduction and interpretation of these ideas, there is no lack of a theory of cognition and academic expression within the various opinions, but it is actually trying to try to by as much as possible