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“在评论领域,是个乡愿丛生,狂狷难为的‘小时代’。”作为在业内享有盛誉的艺术评论家,李起敏教授如此感叹。在他看来,因为上上下下爱昕歌德派的颂歌,对批评则变得神经质的敏感,这是久已形成的社会不自信的风气使然,想做犬儒都不容易。六十年代研究文学,七十年代研究美术,八十年代之后研究音乐美学与古典艺术学和世界文化学,李起敏以近50年的时间志在打通艺术诸门类,故将多种艺术都视为专业。
“In the field of commentary, it is a ’little age’ where there is a lot of hope and craziness.” "As an art critic renowned in the industry, Professor Li Qimin laments. In his opinion, because of the up-and-down caring of the Xin-Xin-Goethe School, the criticism becomes neurotic sensitive. This is a long-established social unbelief that makes cynicism difficult. Researching literature in the 1960s, studying fine arts in the 1970s, studying music aesthetics and classical art and world cultural studies after the 1980s, and Li Qimin, who for nearly 50 years aspired to open up various art genres, regarded various arts as a profession .