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墨法是构筑山水画形式语言的重要因素,自宋以后,随着文人画的兴起,墨法的形式语言得到了空前的发展和诠释,这使得墨法作为一种技法运用的同时表达了与审美相关联的人文情怀,对墨法形式语言的理解和实践也逐渐渗透到山水画创作中;当代的山水画家们在此都曾做过大量的实践尝试,强调在墨法的运笔上进行突破,但怎么也跳不出程式化的形式范畴;九十年代初期,一些山水画家开始尝试“实验水墨”的探索,在用“墨”上寻求新的图式构成,墨法形式
Since the Song Dynasty, with the rise of the literati painting, the formal language of the MoF has got an unprecedented development and interpretation, which makes the application of the MoF as a technique and at the same time expresses its relationship with the aesthetic The related human feelings, the understanding and practice of the formal language of Mohist law have gradually infiltrated into the creation of landscape painting; contemporary landscape painters have done a great deal of practical experimentation in this regard, emphasizing the breakthrough made in Mo Fa’s prose writing In the early 1990’s, some landscape painters began to experiment with the exploration of “experimental ink and wash ink”, seeking new forms of composition in “ink”