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“文章憎命达”,一流的文字似乎总与患难结缘。李后主若不是沦为亡国之君,怎能留下“剪不断,理还乱”、“问君能有几多愁”等传世名句?海明威若不是一战至二战一直在动荡的欧洲流离遭逢,怎能写得出《太阳照样升起》、《永别了,武器》?太史公感叹:“昔文王拘而演《周易》,仲尼厄而作《春秋》,屈原放逐,乃赋《离骚》,左丘失明,厥有《国语》……”“《诗》三百篇,大抵贤圣发愤之所为作也。” 忧患苦难可以激发感悟,促人思考。生离死
“Articles hate up”, first-rate text seems always associated with the affliction. If not the Lord Lee became the king of the nation, how can he leave the famous words such as “How to keep the chaos” and “How many sorrows can one ask?” If Hemingway had not been a war between World War I and Europe that had been in turmoil Taichung Gong exclaims: “Wang Wenzhang plays” Book of Changes “, Chung Nirvana as” Spring and Autumn “, Qu Yuan exile, is the endowment of” Li Sao “, left Qiu blind, Jue have” Mandarin “......” “” Poem “300, probably Yin Sheng San anger for the sake of.” Suffer suffering can stimulate sentiment, and promote thinking. Health and death