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随着海峡两岸交流带来的民族感情的日益加深,今年的台湾影坛出现了一股前所未有的新趋势,即“回顾及探讨台湾历史和政治”的电影一下子出现了好几部。除了国际知名的《悲情城市》突破政治禁忌侧写“二二八事件”之外,王童导演的《香蕉天堂》则以强烈批判性揭示台湾五十年代笼罩全岛的“匪谍疑云”白色恐怖,新导演余为彦的《童党万岁》更将三十年来台湾社会对“性”和“政治”这两大禁忌的态度作一个纵向回顾。这些影片均直接间接地反映出编导对台湾政治和本土历史的反思,创作精神可敬。其中,具有
With the deepening of ethnic feelings brought about by the cross-Strait exchanges, there have been an unprecedented trend in this year’s film festival in Taiwan. There have been only a handful of films that “reviewed and discussed Taiwan’s history and politics.” In addition to the internationally renowned “City of Sadness” breaking through the taboo of political taboo writing “February 28 Incident,” Wang Tong’s “Banana Paradise” strongly criticized the “bandit spy cloud” in the 1950s in Taiwan Terrorist, the new director Yu Wai-yan’s “long live Guild” will make a longitudinal review of Taiwan’s attitude towards the two taboos of “sex” and “politics” over the past 30 years. All these films directly and indirectly reflect the director’s reflection on the political and local history of Taiwan. His creative spirit is respectable. Among them, there is