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莱因哈特是戏剧史上第一个冲破单一戏剧风格的导演,对他来说,戏剧本身决定了该出剧的观演关系,而剧场、舞台与观演关系间要有适宜性,有的戏应该在很亲切的环境演出,有的则适宜于很开阔的空间,有的应在镜框台口的舞台演出,有的只需要一个平台当舞台,有观众围观就很恰当。而从此以后,曾经一统天下的镜框式剧场受到了前所未有的冲击,因为并不是所有的戏剧都让观众通过“镜框”凝视舞台上的情节和行动,而是通过各种不同类型的剧场,以实现戏剧本身的企图,以及创造出剧场的各种可能性。
Reinhart was the first director in the history of theater to break a single theater style. For him, the drama itself determines the show's relationship to play, and the relationship between the theater, the stage, and the show is appropriate, and some The play should be performed in a very friendly environment, while others are suitable for very open spaces. Some should be performed on the stage of the mirror frame, and some will only need a platform for the stage. It is appropriate for the audience to watch the scene. Since then, the once-over-the-world mirror-themed theater has been hit harder than ever before, as not all theaters allow viewers to gaze through the scenes and actions on the stage, through the various types of theaters, In order to achieve the drama itself, as well as to create the possibilities of the theater.