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中国台湾新新电影为边缘话语的银幕表述提供了机遇,出现了一批彰显女性意识、关照女性现实的作品。本文选取《飞越情海》《人鱼朵朵》两部新新电影代表作为例,通过性别表演、文本解构、阉割焦虑、文本拼贴等多个方面,探讨性别意识与经典叙事之间解构与重建并置的有机关系,勾勒出中国台湾新新电影框架下超越两性二元对立关系的性别影像。
The new movies in Taiwan, China, provided opportunities for the screen presentation of marginal discourse and emerged as a group of works highlighting the awareness of women and taking into account the reality of women. This paper chooses two new movie representations of “Flying over the Sea of Love” and “Mermaid Blossoming” as an example to probe into the deconstruction and reconstruction between the gender consciousness and the classic narration through the aspects of gender performance, textual deconstruction, castration anxiety and text collage The juxtaposition of organic relations outlines the gender images transcending the binary opposition between the two sexes under the framework of the new new Chinese Taiwan film.