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柴可夫斯基共有三部歌剧取材于普希金的作品,除了《叶甫盖尼·奥涅金》和《黑桃皇后》外,另有一部不太知名的《玛捷帕》。但事实上,除了这两部公认是柴可夫斯基的代表作之外,他其他的歌剧影响力都不大。柴可夫斯基主要还是器乐作曲家,他的歌剧相对写得松散,有时让人感觉只是带有声乐的大型器乐作品。但柴可夫斯基丰富的旋律创作才能带来的局部精彩,似乎可以弥补其缺乏戏剧动力的不足。如果说《叶甫盖尼·奥涅金》从某种方面来说,只能算是一部“抒情景观剧”的话,那么《黑桃皇后》则是一部戏
Tchaikovsky has a total of three operas based on Pushkin’s works, with the exception of “Yevgeny Onegin” and “Spades Queen”, as well as a lesser-known “Majapa.” But in fact, apart from these two recognized as Tchaikovsky’s masterpiece, his other operas are not influential. Tchaikovsky is mainly a composer of instrumental music. His operas are relatively loosely written, sometimes giving the impression of a large instrumental vocal instrument. However, Tchaikovsky’s abundant melodic creations can bring some local splendor and seem to make up for its lack of drama motivation. If “Yevgeny Onegin” is, in some ways, only a “lyric landscape drama,” then “Queen of Spades” is a drama