论文部分内容阅读
一个年青的巴西作曲家,以民间音乐作为创作基础的最有才能的音乐家,曾在里约热内卢向我说过: “请看看我的处境吧,它典型地表明了巴西作曲家绝大多数的处境:我创作了一些能满足我作为艺术家的要求的严肃的作品,但完全没有可能获得上演。其中有许多始终没有出版,一直躺在我的书桌里。为了挣钱谋生,我不得不写一些没有任何价值、毫无艺术性的东西。我不得不写一些爵士音乐,不然,我和我的一家人就要饿死。靠自己的真正的音乐,我就一文钱也赚不到,如果我想使它上演,我还得付出钱来。”这一段话明显地说明了今天巴西民族音乐中存在着的情况。许多人民作曲家的创作才能在帝国主义压迫的铁钳下趋於凋亡,我们的民族文化也处在
A young Brazilian composer, the most talented musician based on folk music, once told me in Rio de Janeiro: “Take a look at my situation, which typifies the vast majority of Brazilian composers Situation: I created some serious work that could satisfy my request as an artist, but there was absolutely no chance of it being staged, many of which were never published and were lying on my desk. In order to make a living, I had to write some I have to write some jazz music, otherwise, my family and I will starve to death.On my own real music, I will not earn a penny if I want to Make it staged, I have to pay money. ”This passage clearly shows that there is today in Brazil’s national music situation. The creative work of many people’s composers tends to die under the iron clamps of imperialist oppression. Our national culture is also under