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北京尤伦斯当代艺术中心ULLENS CENTER FOR CONTEMPORARY ART,BEIJING 2013.04.28～2013.06.16“集群”(或译为“诸众”)作为哲学概念的提出,其用意在于在资本主义的新格局中,比如认知资本主义(cognitive capitalism)带来的更多共谋与整合的可能之下,主体如何在自身持续的“决断”中实现真正的多元与差异化。相对于“人民”业已成为对应于“国家”概念范畴内的差异的合法化解释,“集群”反而要求作为某些更加普遍与一般性的机能的对象(比如肉身,语言等),超越“主权”所挟持的辩证法经验与治理术逻辑所构建的宏大框架,转而将所谓的“政治”在所有一切微观局面下展开。如此而言,当代艺术与“集群”的关系似乎是梦寐以求的:当代艺术所强调的个体实践事实上意即某种处于不断决断中的主体,试图在变动不居中把握自身的不可规划与不可预设的动态主体性;另—方面,当
Beijing Ullens Center for Contemporary Art, BEIJING 2013.04.28 ~ 2013.06.16 The concept of “cluster” (or translated as “various”) was proposed as a philosophical concept, Under the new pattern, such as the possibility of more conspiracy and integration brought by cognitive capitalism, how does the subject achieve true pluralism and differentiation in its own continuous “decision”? As opposed to the “people” has become the legalized interpretation of the differences corresponding to the concept of the “state.” Instead, the “cluster” asks for some of the more general and general functions (such as physical body, language Etc.) beyond the ambitious framework established by the logic of dialectics and the logic of governance imposed by the “sovereignty”, and instead turn the so-called “political” into all micro situations. In this way, the relationship between contemporary art and “cluster” seems to be a dream: the individual practice emphasized by contemporary art is in fact a kind of subject who is constantly decisive in trying to grasp his own unplanned Unpredictable dynamic subjectivity; another aspect, when