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数十年来,建筑师一直从现代运动先驱者们创立的规划理论与建筑语汇中汲取灵感。仍在沿用与阐述大师们的思想。那些思想产生于以大规模生产为特点的工业化社会,立足于新技术的使用,缺乏人性,放之四海而皆准。并且作为建筑师潜意识的重要部分,日益变得只具有历史的价值了。 在七十年代,我开始思考并严肃地探索文丘里(Venturi)“建筑的复杂性与矛盾性”以及金克斯(Jencks)“后现代主义”两部著作的意义,获益良深。发现对所有业已确立的现代建筑的准则都可以很有把握地击破,修改甚至嘲弄。摆脱形式主义的教条,
For decades, architects have been drawing inspiration from planning theory and architectural vocabulary created by pioneers of modern movement. Still using and elaborating the ideas of the masters. Those ideas originated in an industrialized society characterized by mass production, based on the use of new technologies, lack of humanity, and universality. And as an important part of the architect’s subconscious, it has become increasingly of historical value. In the 1970s, I began to think and seriously explore the significance of Venturi’s “Complexity and Contradiction in Architecture” and the significance of the works of Jencks “Postmodernism”. The discovery of all the established norms of modern architecture can be defeated, modified or even derided with certainty. Get rid of formalism dogma,