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关于中国画之现代发展问题的讨论一直激烈而不断,与理论纷争的热闹相比,国画创作方面可谓平静。本文认为这些纷争观点在的提出的时候,对问题时所设定的范围、高度和对象或大而笼统或局限于局部细节,只有对其受众层面的具体情况展开深入的研究,并找出问题以解决之,只有这样才能使其发扬光大。
Discussion on the modern development of Chinese painting has been fierce and continuous, and the boom of theoretical disputes compared to the traditional Chinese painting can be described as calm. This paper argues that when these disputes are raised, the scope, height and objects set by the problem are general or limited to local details, and only the specific conditions at the level of their audiences are investigated in depth and problems are identified To solve it, the only way to make it flourish.