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我们知晓王璜生,大都通过他作为广东美术馆馆长、中央美术学院美术馆馆长或者著名策展人、批评家的身份,甚至是美术史学者的身份,而对他作为一位艺术家的身份以及他的艺术作品本身,可能会表现出一种直觉的忽视。然而,正是自童年的艺术熏陶和坚持不渝的艺术实践最终塑造和成就了我们今天眼前的王璜生。具有多重身份的王璜生,其作为艺术家的身份同样杰出和精彩。从九十年代的“天地悠然”系列到新世纪初的“大花”系列,到之后更加抽象的表现生命的花卉“悠然”系列,再到新近创作的“线索”系列和“游·象”系列,每一次的艺术变革,都体现出他作为艺术家睿智的艺术思辨和果敢的开创精神。艺术家的身份帮助塑造了今天完整的王璜生,而王璜生的多重身份也反过来体现于他的艺术创作之中。这都使得他的作品具有一种与众不同的魅力。
We know Wang Huangsheng, mostly through him as a director of the Guangdong Museum of Art, curator of the Central Academy of Fine Arts or a curator, critic of the identity, or even the identity of a fine art historian, and his as an artist Identity, as well as his art work, may show an intuitive neglect. However, it is from the artistic influence of childhood and unswerving artistic practice that ultimately shapes and achieves what we see today, Wang Huangsheng. Wang Huangsheng, with multiple identities, is equally outstanding and wonderful as an artist. From the series of “Heaven and Earth” in the nineties to the “Big Flower” series in the early new century, the more abstract series of flowers that express life later, the “Leisurely” series, to the newly created “Clue” “Series and ” Tour elephant "series, every time the art of change, all reflect his artistic wisdom and resolute pioneering spirit as an artist. The artist’s identity helped to shape Wang Huangsheng, who is complete today, and Wang Huangsheng’s multiple identities are in turn reflected in his artistic creation. All this makes his work has a unique charm.