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在列菲伏尔的空间生产理论中,小说的空间既有物理性质,同时也是意识形态的产物,即存在一种心理空间。进城的农民,处于陌生城市中,就必然面临这两种空间的冲撞。自上世纪以来,农民进城就已是一个不可遏止的社会潮流,而老舍在《骆驼祥子》中书写的不仅是进城农民——祥子的命运,抑或是一个特定年代、特定环境下的状况,它更反映了当代社会依然存在的进城现象以及现代化城市中的异化问题。
In Lefebvre’s space production theory, the space of a novel has both physical properties and also a product of ideology, that is, there is a kind of psychological space. Farmers in the city, in unfamiliar cities, will inevitably face the collision of these two kinds of space. Since the last century, peasants have entered the city is an unstoppable social trend, and Lao She wrote in “Camel Xiangzi” is not only the fate of the city farmer - Shoko, or a particular era, the situation under specific circumstances It also reflects the still existing phenomenon of entering the city in contemporary society and the alienation problem in the modernized city.