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在现代艺术领域,艺术的更迭往往以突兀的形式进行着。就当代艺术而言,装置艺术、行为艺术和影像艺术成为最具代表性的形式出现在各大艺术展览里,传统的架上艺术形式似乎处于“尴尬”的位置,它在世界范围内面临着窘境。在德国,20世纪50年代,当博伊斯喊出“人人都是艺术家”口号的时候,传统艺坛被震成了碎片。博伊斯那一代反传统的勇士们给后来者留下了一道必需完成的作业题：如何面对和收拾那些历史与传统的碎片?德国新一代艺术家正是在这种无穷的自我诘问中诞生了属于他们自己的艺术。
In the field of modern art, the change of art is often carried out in an abrupt form. As far as contemporary art is concerned, installation art, performance art and video art are the most representative forms in major art exhibitions. The traditional art form on the shelf seems to be in an “awkward position” and it is facing the world Dilemma In Germany, the traditional art scene was shattered in the 1950s when Boyce shouted the slogan “Everyone is an artist.” The anti-traditional warriors of Boyce’s generation left behind a must-do homework: How to face and clean up the fragments of history and tradition? It is in this infinite self-questioning that German new generation artists were born Belong to their own art.