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在文化大革命的政治制约下 ,文学运动走向形态畸变 ,出现了样板化、群众化、帮派化的形态分化。所谓样板化、群众化、帮派化的实质 ,不过是文学运动彻头彻尾政治化的产物 ,以路线斗争为主轴渐次出现在文学运动之中。样板化无疑贯穿文化大革命的始终 ,保持着文学运动主流形态的一贯性。因此 ,无论是呈现出多样性的群众化 ,还是具有阶段性的帮派化 ,都或多或少地受制于文学运动的样板化 ,与此同时 ,也分别表现出从艺术到政治的某种悖离 ,从而作为文学运动的非主流形态 ,与样板化并存。
Under the political constraints of the Cultural Revolution, the literary movement turned to form distortion, and the morphological differentiation of the model, the mass and the gang appeared. The essence of the so-called model, mass and gang is nothing but the product of the downright politicalization of the literary movement, which gradually emerged in the literary movement with the struggle between the lines as the main axis. Model undoubtedly runs through the Cultural Revolution from beginning to end and maintains the consistency of the mainstream form of the literary movement. Therefore, both the massively diverse and phased gangs are more or less subject to the stylization of the literary movement, while at the same time, they exhibit some sort of contradiction from art to politics As a non-mainstream form of literary movement, coexistence with the model.