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盆景不论从规格上、体量上分类,还是从素材上和造型布局上分类,皆属于形的分类,不涉及神。潘仲连先生一文,试图将盆景形的分类引入神韵的分类。这是可喜的,是大胆的涉足与突破。潘先生将盆景作品分为“优美”与“壮美”两大类,以此来概括盆景神韵之美。文中之言固然是对的。但总觉不完全,又笼统了些。看到一株千年古木、一座雄宏高山,读到“青山遮不住,毕竟东流去”,可谓壮哉,美哉。但如
Bonsai both in terms of size, classification of body mass, or from the material and the layout of the classification, all belong to the shape of the classification, does not involve God. Mr. Pan Zhonglian a text, trying to introduce the bonsai classification into the classification of the charm. This is gratifying, it is bold to get involved and break through. Mr. Pan will be divided into two works, “beautiful” and “magnificent”, in order to summarize the beauty of bonsai charm. The words in the text is certainly right. But always feel incomplete, but also some more general. See a Millennium ancient wood, a magnificent mountain, read “Aoyama can not hide, after all, eastward flow”, can be described as Zhuang Zai, Mei Zai. But like